creationcreate


Creation can be ordered online by clicking above.
Copies are also available at SONIC BOOM, 
512 Bloor St West, Toronto, (416) 532-4226
and SOUNDSCAPES, 572 College St. W, Toronto (416) 537-1620

view video to John Farah's "Healings" (track 11 on Creation) created by Eamon MacMahon


On CREATION:
"Toronto composer/keyboardist John Kameel Farah crosses genres and
breaks down traditional boundaries with this electronic-inspired invention.
He plans and improvises in equal measure. He interweaves acoustic and synthetic.
He is equally comfortable on the dance floors of the 16th and 21st centuries.
Here, in 21 seamless tracks, Farah takes us on an entrancing, beat-loop-powered
tour of our interior cultural-musical psyche. My two favourite tracks
(the nine-minute "Fantasie and Toccata") introduce the music of William Byrd
to the synthesizer and sequencer. Long live the mash-up."

-John Terauds, TORONTO STAR, July 27, 2006, (rating: 3.5/4 stars)

 JOHN KAMEEL FARAH Creation (independent) Rating: NNNN
"Ideally, all musicians' influences would be as diverse as the sonic world John Kameel Farah inhabits. It can be tough trying to combine your various loves into a sound that actually makes sense, and most artists choose to focus on one style at a time. When someone actually combines the elements of their musical history without making them sound like a bunch of empty references, the results are genuinely exciting. A skilled classically trained piano player, Farah also dabbles in modern improvised music, as well as dance and experimental electronic music. This isn't the type of crossover stuff that's going to be rocking dance floors any time soon, but he links his various ideas and tangents in many ways like a DJ set, with interludes joining the tracks and a real sense of a journey emerging over the album's length."
 
-Benjamin Boles, NOW Magazine, Toronto, Sept. 21, 2006

"...a trance-inducing landscape inspired by the vast history of music,

from 16th-century English pavanes, to techno, to traditional Arab influences.
The interaction of looped beats and repeating sound samples
has the power to pull us out of ourselves - a measure of great music...
To do this with sounds... that appeal to club kids and new music fans equally is a major achievement."
J.Terauds, TORONTO STAR, Mar 9, 2006

Track Listings
connecting interludes marked *     CD runtime: 64:37   
1    thought momentum   (piano-organ-electronics-d'n'b)     05:51
2    kozmik egg    (imagine gates at center of the universe)    04:21
3    heirophant (solo piano)*        00:47
4-5    fantasie and toccata     (harpsichord prelude-breakbeat)     03:38,     05:32
6    descendit      (strange harmonic sequence-IDM)      04:20
7    day of rage    (synth-IDM-breakcore)    03:14
8    lute-mind*          00:52
9    hyacinth-mind*        03:21
10    mind-descension*        00:22
11    healings    (round bass sculpture)        03:34
12    vibrations of ba’al    (2 detuned rhodes-IDM)    03:29
13    rage-lute*            00:32
14    the luteniste   (lute/frame drum echo collage)    05:18
15    kosmik-dome*   (harpsichord-electronic improvisation)     01:07
16    dome ceiling     (massive electronic building forms)      03:22
17    gentlestars    (slow techno)    03:52
18    metamorphosis    (piano-rhodes-synth-ambient)    06:08
19    memory of being an infant  (ambient piano soundscape)  04:28